Lucebert over Arp

Q3 Arts and Humanities
Anja de Feijter
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引用次数: 0

Abstract

On three occasions in his literary career the poet and painter Lucebert (1924-1994) has engaged in writing poetry on the sculptor, painter and poet Hans Arp (1886-1966). One particular poem, ‘arp’, dates from 1950 and was designed to be a part of a series of poems, ‘de getekende naam’, on contemporary artists. The authorship of this poem has been questioned in the 1980s as a result of a publication on the poetry of Arp. This article demonstrates that the translation of the poem of Lucebert into German by Ludwig Kunz, published in the catalog of an art exhibition in Cologne in 1960, has been mistaken for a poem of Arp. The mistaken identity of the authors, this contribution proposes, is more than the result of an editorial mishap: the confusion points to a deep-seated kinship between the authors. By comparing Lucebert’s and Arp’s poems, as well as the extant scholarship on the work of the two authors, it is argued that Lucebert’s close affinity with Arp offers valuable insights into the Dutch poet’s own work and poetics.
Lucebert除以Arp
在他的文学生涯中,诗人和画家Lucebert(1924-1994)曾三次为雕塑家、画家和诗人Hans Arp(1886-1966)写诗。其中一首名为“arp”的诗可以追溯到1950年,是关于当代艺术家的系列诗“de getekende naam”的一部分。这首诗的作者在20世纪80年代由于阿尔普诗歌的出版而受到质疑。本文论证了路德维希·昆茨(Ludwig Kunz)在1960年科隆艺术展览目录中发表的吕塞伯特(Lucebert)的诗的德文译本被误认为是阿尔普(Arp)的诗。这篇文章提出,作者的错误身份不仅仅是编辑失误的结果:这种混淆表明了作者之间根深蒂固的亲缘关系。通过比较卢塞伯特和阿尔普的诗歌,以及现存的关于两位作者作品的学术研究,作者认为卢塞伯特与阿尔普的密切关系为了解这位荷兰诗人自己的作品和诗学提供了宝贵的见解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Nederlandse Letterkunde
Nederlandse Letterkunde Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
16
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