Artistic Creations as Objects of Ethical Research

N. G. Mekhed
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Abstract

The past development of ethical knowledge has shown that in determining the future orientations of ethical research, the multiplicity of interconnecting links between ethics, the philosophy of morals, and the whole of intellectual culture have yet to receive sufficient study. At the same time, the sociocultural legacy—the framework within which philosophical thought lies—syncretically embraces science, art, and philosophy. Remaining "beyond the sequence" of philosophical abstraction, science and art are present (in a sublated form) as the sociocultural background of ethical thought. Inasmuch as morals permeate the most diverse forms of the practical and intellectual activity of humanity, one should neither restrict the investigation of it strictly to the boundaries of philosophical-ethical analysis, nor limit its study to the special, concrete human sciences. The historically outlined "natural habitat" for the aggregate knowledge of moral phenomena is determined by the coordinated interaction of ethics, t...
作为伦理研究对象的艺术创作
伦理知识的过去发展表明,在确定伦理研究的未来方向时,伦理学、道德哲学和整个知识文化之间的相互联系的多样性尚未得到充分的研究。与此同时,社会文化遗产——哲学思想所在的框架——融合地包含了科学、艺术和哲学。在哲学抽象的“序列之外”,科学和艺术作为伦理思想的社会文化背景(以一种扬弃的形式)存在。既然道德渗透到人类实践活动和智力活动的最多样的形式中,我们就不应该把对道德的研究严格地限制在哲学伦理分析的范围内,也不应该把它的研究限制在特殊的、具体的人文科学的范围内。历史上概述的道德现象的总体知识的“自然栖息地”是由伦理的协调相互作用决定的。
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