Giovanni Pisano, the Dominicans, and the Origin of the "crucifixi dolorosi"

IF 0.1 3区艺术学 0 ART

Artibus et Historiae Pub Date : 2003-01-01 DOI:10.2307/1483761

Pavel Kalina

引用次数: 7

Abstract

The crucifixi dolorosi were traditionally believed to be a product of Central European, especially German culture. Their model was sought for in the well-known Crucifix of St. Maria in Kapitol church in Cologne. It is, however, probable that this sculptural type was of Italian origin. It could be inspired by sculptures of Giovanni Pisano, not only by his stone and wooden crucifixes, but also by such statues as his Christ from the Flagellation in the Pisa Baptistery pulpit. The spiritual roots of the sculptural type are to be found rather in the literature and praxis of flagellant brotherhoods, which blossomed in trecento Italy than in German mysticism where they were sought for earlier.

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乔瓦尼·皮萨诺、多米尼加人与“十字架”的起源

传统上认为，十字架是中欧特别是德国文化的产物。科隆卡皮托尔教堂著名的圣玛利亚十字架就是以他们为原型的。然而，这种雕塑形式很可能起源于意大利。它的灵感可能来自乔瓦尼·皮萨诺(Giovanni Pisano)的雕塑，不仅来自他的石头和木制十字架，还来自比萨洗礼堂讲坛上鞭笞的基督雕像。雕塑类型的精神根源更应该在鞭笞兄弟会的文学和实践中找到，鞭笞兄弟会在意大利近代史上蓬勃发展，而不是在德国神秘主义中，在那里他们更早被寻求。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Artibus et Historiae ART-

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期刊介绍： Artibus et Historiae is a journal dedicated to the visual arts, published by IRSA Publishing House. The lavishly illustrated articles cover a broad range of subjects, including photography and film, as well as traditional topics of scholarly art research. Artibus et Historiae particularly encourages interdisciplinary studies - art history in conjunction with other humanistic fields, such as psychology, sociology, philosophy, or literature - and unconventional approaches. Thus it is hoped that the current trends in art history will be well represented in our issues. Artibus et Historiae appears twice a year, in hardback. The articles are in one of four languages: English, Italian, German, or French, at the author"s discretion.