Jazz in Brazil: An Early History (1920s-1950s)

IF 0.1 0 MUSIC

Jazz Research Journal Pub Date : 2015-08-12 DOI:10.1558/JAZZ.V10I1-2.28748

A. Fléchet

引用次数: 2

Abstract

Brazil was a very early convert to jazz, which was marked by numerous appropriations and musical fusions. The first echoes of jazz were heard in Rio in 1917, a few months after the official birth of samba. Yet still little is known about the early history of jazz in Brazil. This article adopts a cultural and social history approach to music to identify the actors and sociological vectors that enabled the first appropriation of jazz by Brazilian musicians and audiences; to analyse the evolution of jazz repertoires; and to understand its impact (real, albeit highly controversial) on the Brazilian musical scene from the 1920s to the 1950s.

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巴西的爵士乐:早期历史(1920 -1950)

巴西是一个很早就皈依爵士乐的国家，其特点是大量的挪用和音乐融合。1917年，在桑巴正式诞生几个月后，人们在b里约热内卢听到了爵士乐的第一次回响。然而，人们对巴西爵士乐的早期历史仍然知之甚少。本文采用文化和社会历史的方法来确定演员和社会学向量，使巴西音乐家和观众第一次挪用爵士乐;分析爵士曲目的演变;并了解它对20世纪20年代至50年代巴西音乐界的影响(真实的，尽管极具争议性)。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Jazz Research Journal MUSIC-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Jazz Research Journal explores a range of cultural and critical views on jazz. The journal celebrates the diversity of approaches found in jazz scholarship and provides a forum for interaction and the cross-fertilisation of ideas. It is a development and extension of The Source: Challenging Jazz Criticism founded in 2004 at the Leeds College of Music. The journal aims to represent a range of disciplinary perspectives on jazz, from musicology to film studies, sociology to cultural studies, and offers a platform for new thinking on jazz. In this respect, the editors particularly welcome articles that challenge traditional approaches to jazz and encourage writings that engage with jazz as a discursive practice. Jazz Research Journal publishes original and innovative research that either extends the boundaries of jazz scholarship or explores themes which are central to a critical understanding of the music, including the politics of race and gender, the shifting cultural representation of jazz, and the complexity of canon formation and dissolution. In addition to articles, the journal features a reviews section that publishes critical articles on a variety of media, including recordings, film, books, educational products and multimedia publications.