O ardil feminino do pseudônimo: a “Colombina” de Yde Schloenbach Blumenschein

Q4 Social Sciences

Cadernos Pagu Pub Date : 2022-01-01 DOI:10.1590/18094449202200650011

Maria Lúcia Dal Farra

引用次数: 0

Abstract

Resumo Pesquisa histórico-literária sobre a obra da poetisa paulista Yde Schloenbach Blumenschein (1882-1963), tendo em vista a recepção de suas produções (as niveladas pela moralidade de então) e o não acolhimento final (1961) concernente à edição dos versos que, desde o princípio, lhe foram interditos. Por meio da análise de seus 12 livros, observa-se o quanto é escarpada e dificultosa a construção da feminilidade literária, uma vez que a mulher é compelida a usar ardis de pseudônimos para apagamento de identidade.

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O ardil feminino do pseudônimo: a " Colombina " de Yde Schloenbach Blumenschein

摘要对诗人伊德·施伦巴赫·布鲁门沙因(1882-1963)作品的历史文学研究，考虑到她的作品的接受(当时的道德水平)和最终的不接受(1961)，关于诗歌的版本，从一开始就被禁止。通过对她的12本书的分析，我们可以看到文学女性气质的构建是多么的陡峭和困难，因为女性被迫使用假名的诡计来抹去身份。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Cadernos Pagu Social Sciences-Gender Studies

CiteScore

0.20

自引率

0.00%

发文量

审稿时长

9 weeks

期刊介绍： Cadernos Pagu was founded in 1993 and since then has contributed to the consolidation of gender studies in Brazil. The journal was created in a period when gender studies gained certain academic legitimacy in the country, and it intended to further its visibility, diffusing and stimulating knowledge production in this field. Cadernos Pagu resulted from more than two years of intense readings, researches and debates among the members of the Center for Gender Studies Pagu, analyzing gender theories developments and stalemates. The first issue was completely written by Pagu"s research members, and their articles expressed those concerns. Throughout the second and third issues, the journal redefined its editorial policies, opening to contributions from Brazilian and foreign researchers.