{"title":"Looking for Laura & Meaning in Laura Citarella’s Trenque Lauquen","authors":"Manuel Betancourt","doi":"10.1525/fq.2023.77.1.86","DOIUrl":null,"url":null,"abstract":"FQ contributing editor Manuel Betancourt examines duration in contemporary cinema and the playful innovations of Laura Citarella’s Trenque Lauquen (2022). The 260 minute film is another production by El Pampero Cine, the group that produced the thirteen hour La Flor (Mariano Llinás, 2018), on which Citarella served as producer. Following the disappearance of a woman named Laura, Trenque Lauquen is a recursive mystery both in narrative and form that resists traditional narrative expectations that would elucidate the events of Laura’s disappearance and make her knowable. Betancourt writes that Trenque Lauquen maintains El Pampero Cine’s DIY spirit through creative practices that challenge the linear progression of pre-production, shooting, and editing and in doing so, facilitate Citarella’s reimagining of cinema as an experiential event.","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"FILM QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1525/fq.2023.77.1.86","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
FQ contributing editor Manuel Betancourt examines duration in contemporary cinema and the playful innovations of Laura Citarella’s Trenque Lauquen (2022). The 260 minute film is another production by El Pampero Cine, the group that produced the thirteen hour La Flor (Mariano Llinás, 2018), on which Citarella served as producer. Following the disappearance of a woman named Laura, Trenque Lauquen is a recursive mystery both in narrative and form that resists traditional narrative expectations that would elucidate the events of Laura’s disappearance and make her knowable. Betancourt writes that Trenque Lauquen maintains El Pampero Cine’s DIY spirit through creative practices that challenge the linear progression of pre-production, shooting, and editing and in doing so, facilitate Citarella’s reimagining of cinema as an experiential event.
期刊介绍:
Film Quarterly has been publishing substantial, peer-reviewed writing on motion pictures since 1958, earning a reputation as the most authoritative academic film journal in the United States. Its wide array of topics, perspectives, and approaches appeals to film scholars and film buffs alike. If you love all types of movies and are eager to encounter new ways of thinking about them, then Film Quarterly is the journal for you! Scholarly analyses of international cinemas, current blockbusters and Hollywood classics, documentaries, animation, and independent, avant-garde, and experimental film and video fill the pages of the journal.