{"title":"“A Hand to Your Darkness”","authors":"E. Wilson","doi":"10.1525/fq.2023.76.4.22","DOIUrl":null,"url":null,"abstract":"All the Beauty and the Bloodshed is Poitras’s first portrait of a female subject. In it for the first time she models forms of feminist attention to another woman, a woman artist, speaking and listening to her. Through openness to Goldin’s susceptibility, experimentation, pleasure, and suffering, Poitras addresses trauma and its relation to activism. In their collaboration, Goldin brings the visual sublime as well as overt sensuality into Poitras’s purview, releasing the eros and pathos that have always been part of her work. In turn, Poitras makes possible, and essential, a full portrait of Nan Goldin as activist.","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"FILM QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1525/fq.2023.76.4.22","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0
Abstract
All the Beauty and the Bloodshed is Poitras’s first portrait of a female subject. In it for the first time she models forms of feminist attention to another woman, a woman artist, speaking and listening to her. Through openness to Goldin’s susceptibility, experimentation, pleasure, and suffering, Poitras addresses trauma and its relation to activism. In their collaboration, Goldin brings the visual sublime as well as overt sensuality into Poitras’s purview, releasing the eros and pathos that have always been part of her work. In turn, Poitras makes possible, and essential, a full portrait of Nan Goldin as activist.
期刊介绍:
Film Quarterly has been publishing substantial, peer-reviewed writing on motion pictures since 1958, earning a reputation as the most authoritative academic film journal in the United States. Its wide array of topics, perspectives, and approaches appeals to film scholars and film buffs alike. If you love all types of movies and are eager to encounter new ways of thinking about them, then Film Quarterly is the journal for you! Scholarly analyses of international cinemas, current blockbusters and Hollywood classics, documentaries, animation, and independent, avant-garde, and experimental film and video fill the pages of the journal.