El papel de la imaginación y el arte en el método fenomenológico de Levinas y Bachelard

IF 0.1 4区 哲学 0 PHILOSOPHY
Pablo Facundo Ríos Flores
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引用次数: 1

Abstract

After his initial approach to the philosophy of Husserl and Heidegger in the twenties, Levinas began a decade later his own critical re-elaboration of the phenomenological method. The present article aims to analyze the new understanding of the phenomenological work by the young Levinas from his reflections on art, in dialogue with Gaston Bachelard’s thought, who at the same time proposed a fruitful cross-linking between aesthetics and phenomenology.
想象和艺术在列维纳斯和巴舍拉现象学方法中的作用
列维纳斯在二十年代开始研究胡塞尔和海德格尔的哲学,十年后,他开始对现象学方法进行批判性的重新阐述。本文旨在分析年轻的列维纳斯对现象学作品的新理解,并与加斯东·巴舍拉的思想进行对话,后者同时提出了美学与现象学之间富有成效的交叉联系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Ideas y Valores
Ideas y Valores PHILOSOPHY-
CiteScore
0.10
自引率
0.00%
发文量
27
审稿时长
53 weeks
期刊介绍: Ideas y Valores is a four-monthly publication (April, August and December) of the Department of Philosophy of the Universidad Nacional de Colombia, founded in 1951, which welcomes national and international contributions. Throughout its more than sixty years of existence, the journal''s objective has been to provide a space for the publication and dissemination of philosophical work carried out in Colombia. However, Ideas y Valores has always been in close contact with the philosophical work carried out in Latin America and the world. It currently publishes articles and reviews on all philosophical areas in Spanish, Portuguese and, occasionally, English. The journal also receives translations to Spanish of texts which have lost their copyrights or whose copyrights have been bought by or given to the translator and, by extension, to Ideas y Valores.
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