David Copperfield’s Moods

IF 0.9 4区社会学 Q2 CULTURAL STUDIES

Representations Pub Date : 2022-01-01 DOI:10.1525/rep.2022.159.1.1

Joel Simundich

引用次数: 0

Abstract

This article advocates reading for moods, moments in literary texts that draw attention to textual forms conditioning the experiential parameters of narrative. Drawing from Hans Ulrich Gumbrecht’s reception aesthetics, I demonstrate how the normative critical history of Charles Dickens’s 1850 novel David Copperfield is a product of the novel’s delimitation of its horizons of expectation and structuration of contingency. I then link these delimited horizons to the accepted austerity politics of academic labor today.

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大卫·科波菲尔的心情

这篇文章提倡阅读的情绪，时刻在文学文本提请注意文本形式制约叙事的经验参数。从汉斯·乌尔里希·冈布莱希特的接受美学中，我展示了查尔斯·狄更斯1850年的小说《大卫·科波菲尔》的规范批评历史是小说对其期望视野的界定和偶然性结构的产物。然后，我将这些划定的视野与当今学术界公认的紧缩政治联系起来。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Representations Multiple-

CiteScore

0.60

自引率

0.00%

发文量

期刊介绍： An interdisciplinary journal edited by renowned scholars, Representations publishes trend-setting articles and criticism in a wide variety of fields in the humanities. In addition to special topical issues, tributes, and forums, inside you’ll find insightful coverage of: •The Body, Gender, and Sexuality •Culture and Law •Empire, Imperialism, and The New World •History and Memory •Narrative and Poetics •National Identities •Politics and Aesthetics •Philosophy and Religion •Race and Ethnicity •Science Studies •Society, Class, and Power •Visual Culture