Television, The Middle Classes and the Transformation of Cultural Identities in West Bengal, India

Gazette Pub Date : 2002-08-01 DOI:10.1177/174804850206400402
T. Scrase
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引用次数: 51

Abstract

This article analyses whether an increasingly globalized television culture has led to a transformation of middle-class Bengali cultural identities. The analysis is based on ethnographic fieldwork carried out with middle-class households in West Bengal, India during 1998–2000. A number of specific themes are explored. These include: television and rampant consumerism; the impact of ‘Bollywood’ film cultures; television and the portrayal of women; and the way satellite and cable television programmes, especially popular cultural programmes (e.g. music videos) and advertisements, impact on established cultural patterns and activities. The research shows that while a public, more liberal tolerant culture prevails in Bengal, the private world of the family nevertheless retains many aspects of traditional moral and hierarchical principles. Divisions of opinion about the social impact of television among the middle classes are explained in terms of the nature of middle-class cultural formation in Bengal since the time of British colonization of India. In light of the examples and research findings presented, this article broadly considers the trajectory of Indian modernity, considers the debates over high culture vs low culture in the Bengali context, and more generally explores the localized impact of cultural globalization.
电视、中产阶级和印度西孟加拉邦文化身份的转变
本文分析了日益全球化的电视文化是否导致了孟加拉中产阶级文化身份的转变。该分析基于1998-2000年间对印度西孟加拉邦中产阶级家庭进行的民族志实地调查。探讨了一些具体的主题。这些因素包括:电视和猖獗的消费主义;“宝莱坞”电影文化的影响;电视和对女性的刻画;卫星和有线电视节目,特别是流行的文化节目(如音乐录像)和广告对既定的文化模式和活动的影响。研究表明,虽然孟加拉盛行一种公开的、更自由宽容的文化,但家庭的私人世界仍然保留了传统道德和等级原则的许多方面。从英国殖民印度以来孟加拉中产阶级文化形成的性质出发,解释了电视在中产阶级中的社会影响的意见分歧。根据所提出的例子和研究成果,本文广泛地考虑了印度现代性的轨迹,考虑了在孟加拉语境下关于高雅文化与低俗文化的争论,并更广泛地探讨了文化全球化的本地化影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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