Y. Ni, Matt McVicar, Raúl Santos-Rodríguez, T. D. Bie
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引用次数: 42
Abstract
To assess the performance of an automatic chord estimation system, reference annotations are indispensable. However, owing to the complexity of music and the sometimes ambiguous harmonic structure of polyphonic music, chord annotations are inherently subjective, and as a result any derived accuracy estimates will be subjective as well. In this paper, we investigate the extent of the confounding effect of subjectivity in reference annotations. Our results show that this effect is important, and they affect different types of automatic chord estimation systems in different ways. Our results have implications for research on automatic chord estimation, but also on other fields that evaluate performance by comparing against human provided annotations that are confounded by subjectivity.
期刊介绍:
The IEEE Transactions on Audio, Speech and Language Processing covers the sciences, technologies and applications relating to the analysis, coding, enhancement, recognition and synthesis of audio, music, speech and language. In particular, audio processing also covers auditory modeling, acoustic modeling and source separation. Speech processing also covers speech production and perception, adaptation, lexical modeling and speaker recognition. Language processing also covers spoken language understanding, translation, summarization, mining, general language modeling, as well as spoken dialog systems.