Copying Cartoons: An Intimate History of the Stalinist Caricature

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY
Stephen M. Norris
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引用次数: 0

Abstract

“Copying Cartoons” examines a set of albums used by Aleksandr Avgustovich Frolovskii (1867–1942). In the 1930s, Frolovskii, a retired math teacher, purchased the albums and used them to redraw political caricatures published in newspapers such as Pravda (Truth) and Izvestiia (The News) and journals such as Krokodil (Crocodile). Frolovskii was particularly drawn to the works of Boris Efimov, the principal political caricaturist for Izvestiia, and redrew over 100 of Efimov’s cartoons. Frolovskii’s albums, as this chapter argues, serve as both a visual history of the Stalin era and a record of what it meant to be “Soviet” during the Great Purges.
复制漫画:斯大林主义漫画的亲密历史
《复制漫画》考察了亚历山大·阿夫古斯托维奇·弗洛夫斯基(1867-1942)使用的一套专辑。20世纪30年代,退休数学教师弗罗洛夫斯基购买了这些相册,并用它们重新绘制了《真理报》和《消息报》等报纸以及《鳄鱼》等期刊上发表的政治漫画。弗罗洛夫斯基特别被《消息报》的主要政治漫画家鲍里斯·埃菲莫夫的作品所吸引,并重新绘制了100多幅埃菲莫夫漫画。正如本章所说,弗罗洛夫斯基的专辑既是斯大林时代的视觉历史,也是大清洗期间“苏联”的记录。
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来源期刊
Experiment-A Journal of Russian Culture
Experiment-A Journal of Russian Culture HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
自引率
50.00%
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0
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