A Conversation with Sergei Loznitsa*

IF 0.4 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

OCTOBER Pub Date : 2023-05-01 DOI:10.1162/octo_a_00485

Jean-Michel Frodon

引用次数: 0

Abstract

Abstract Film critic and scholar Jean-Michel Frodon interviews Ukrainian filmmaker about his career, beginning with his training in mathematics and science (and the surprising connections between math and movies), his training at Russian film school, his relationship with various of his teachers, how he finances his films, and of course the films themselves, including Train Stop, My Joy, Blockade, Mr. Landsbergis, The Natural History Of Destruction, Maidan, Reflection, Austerlitz, In the Fog, A Gentle Creature, Donbass, and Babi Yarr Context.

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与谢尔盖·洛兹尼察的对话*

摘要影评人兼学者Jean-Michel Frodon采访了乌克兰电影制作人，讲述了他的职业生涯，从他在数学和科学方面的训练（以及数学和电影之间令人惊讶的联系）开始，他在俄罗斯电影学校的训练，他与各种老师的关系，他如何为电影融资，当然还有电影本身，包括《火车站》、，Landsbergis先生，《破坏的自然史》、《麦丹》、《反思》、《奥斯特利茨》、《雾中》、《温和的生物》、《顿巴斯》和《巴比雅尔语境》。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

OCTOBER HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.10

自引率

33.30%

发文量

期刊介绍： At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, media, photography, performance, sculpture, and literature. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today"s artistic, intellectual, and critical vanguard.