{"title":"Reflecting on the Self: Introspective Construction of the Feminine in Nineteenth-Century Poets Carolina Valencia and Carolina Coronado","authors":"Rhi Johnson","doi":"10.18192/rceh.v45i2.6690","DOIUrl":null,"url":null,"abstract":"This essay explores the construction of the female creative self in nineteenth-century Spain and introduces the virtually unstudied poet Carolina Valencia (born 1860 in Valladolid) through her poem “A la margen del arroyo” (1890). It brings Valencia into dialogue with the established canon through a parallel reading of the construction of subjectivity in Carolina Coronado’s “El jilguero y la flor del agua” (1852). This reading of subjectivity interacts with various aspects of nineteenth-century Spanish femininity: the identification with nature, the dichotomy of the angel and the monster, and the language of sentimentality.","PeriodicalId":39612,"journal":{"name":"Revista Canadiense de Estudios Hispanicos","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista Canadiense de Estudios Hispanicos","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18192/rceh.v45i2.6690","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
This essay explores the construction of the female creative self in nineteenth-century Spain and introduces the virtually unstudied poet Carolina Valencia (born 1860 in Valladolid) through her poem “A la margen del arroyo” (1890). It brings Valencia into dialogue with the established canon through a parallel reading of the construction of subjectivity in Carolina Coronado’s “El jilguero y la flor del agua” (1852). This reading of subjectivity interacts with various aspects of nineteenth-century Spanish femininity: the identification with nature, the dichotomy of the angel and the monster, and the language of sentimentality.
本文探讨了19世纪西班牙女性创造性自我的建构,并通过她的诗歌《阿拉玛根·德尔阿罗约》(1890年)介绍了几乎未经研究的诗人卡罗琳娜·巴伦西亚(1860年出生于巴利亚多利德)。它通过平行阅读卡罗琳娜·科罗纳多(Carolina Coronado)的《El jilguero y la flor del agua》(1852)中的主体性建构,将巴伦西亚带入了与既定经典的对话中。这种对主体性的解读与19世纪西班牙女性气质的各个方面相互作用:对自然的认同、天使和怪物的二分法,以及多愁善感的语言。
期刊介绍:
La REVISTA CANADIENSE DE ESTUDIOS HISPÁNICOS es la publicación oficial de la Asociación Canadiense de Hispanistas y recibe el generoso apoyo del Social Sciences and Humanities Research Council of Canada / Conseil de recherches en sciences humaines du Canada. Asimismo, agradece el apoyo de la Agencia Española de Cooperación Internacional (DRGCC), del Ministerio de Asuntos Exteriores de España, y la valiosa ayuda de McGill University y de la University of Toronto.