Dramaturgy by Erving Goffman on the "Citayam Fashion Week" Phenomenon As a Subculture in Young People's Existence in the SCBD (Sudirman, Citayam, Bojong Gede and Depok)

Novida Irawan, S. Sunarto, R. Sigit
{"title":"Dramaturgy by Erving Goffman on the \"Citayam Fashion Week\" Phenomenon As a Subculture in Young People's Existence in the SCBD (Sudirman, Citayam, Bojong Gede and Depok)","authors":"Novida Irawan, S. Sunarto, R. Sigit","doi":"10.38142/ijesss.v4i3.560","DOIUrl":null,"url":null,"abstract":"Citayam Fashion Week is a series of events that present various images of social reality that influence people's way of thinking and behaving. This event is important because it gives youth the opportunity to meet and interact with one another. What attracts people's attention is the unique style of clothing worn by teenagers. Teenagers are looking for an identity, and they can find it by watching and participating in the Citayam Fashion Week event. This study aims to analyze dramaturgy, self-existence in impression management of Citayam Fashion Week adolescents. The paradigm in this study is constructivist, and this study uses a qualitative approach to the \"Citayam Fashion Week\" phenomenon as a subculture in young people's existence in the SCBD (Sudirman, Citayam, Bojong Gede And Depok). Data collection in this study used observation and in-depth interview techniques to obtain accurate results. The sampling technique used in this study was a combination of nonprobability sampling methods, between purposive sampling and snowball sampling. The research results obtained by the researchers showed that the researchers found differences in the lives of youth when they were on the front stage and when they were backstage. The conclusion is that basically, everyone will do Impression Management according to what they want to show on the frontstage, whether it is very different from life on backstage or there is only a slight difference from what it was on backstage. Teenagers have three different sides where there is a frontstage, a backstage and also transit stage.","PeriodicalId":34642,"journal":{"name":"International Journal of Environmental Sustainability and Social Science","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-06-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Environmental Sustainability and Social Science","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.38142/ijesss.v4i3.560","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

Citayam Fashion Week is a series of events that present various images of social reality that influence people's way of thinking and behaving. This event is important because it gives youth the opportunity to meet and interact with one another. What attracts people's attention is the unique style of clothing worn by teenagers. Teenagers are looking for an identity, and they can find it by watching and participating in the Citayam Fashion Week event. This study aims to analyze dramaturgy, self-existence in impression management of Citayam Fashion Week adolescents. The paradigm in this study is constructivist, and this study uses a qualitative approach to the "Citayam Fashion Week" phenomenon as a subculture in young people's existence in the SCBD (Sudirman, Citayam, Bojong Gede And Depok). Data collection in this study used observation and in-depth interview techniques to obtain accurate results. The sampling technique used in this study was a combination of nonprobability sampling methods, between purposive sampling and snowball sampling. The research results obtained by the researchers showed that the researchers found differences in the lives of youth when they were on the front stage and when they were backstage. The conclusion is that basically, everyone will do Impression Management according to what they want to show on the frontstage, whether it is very different from life on backstage or there is only a slight difference from what it was on backstage. Teenagers have three different sides where there is a frontstage, a backstage and also transit stage.
Erving Goffman关于“Citayam时装周”现象作为SCBD年轻人存在的亚文化的戏剧
Citayam时装周是一系列活动,展示了影响人们思维和行为方式的各种社会现实形象。这项活动很重要,因为它让年轻人有机会见面和互动。吸引人们注意的是青少年穿的独特风格的衣服。青少年正在寻找一种身份,他们可以通过观看和参加Citayam时装周活动来找到它。本研究旨在分析Citayam时装周青少年印象管理中的戏剧性、自我存在。本研究的范式是建构主义的,本研究使用了定性的方法来看待“Citayam时装周”现象,将其作为SCBD中年轻人存在的亚文化(Sudirman、Citayam、Bojong Gede和Depok)。本研究中的数据收集使用了观察和深入访谈技术来获得准确的结果。本研究中使用的抽样技术是非概率抽样方法的结合,介于目的抽样和滚雪球抽样之间。研究人员获得的研究结果表明,研究人员发现年轻人在前台和后台的生活存在差异。得出的结论是,基本上,每个人都会根据自己想在前台展示的内容来做印象管理,无论是与后台的生活有很大不同,还是与后台只有细微的不同。青少年有三个不同的侧面,有前台、后台和中转台。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
77
审稿时长
3 weeks
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信