R. Gaby, Alice Leonard, James D. Mardock, H. Ostovich
{"title":"To Nell and Back: Revisiting Mistress Quickly","authors":"R. Gaby, Alice Leonard, James D. Mardock, H. Ostovich","doi":"10.1086/705891","DOIUrl":null,"url":null,"abstract":"Although the popularity of Shakespeare's Falstaff from 1597 to now receives frequent acknowledgement, his straight-woman, Mistress Quickly, has attracted relatively scant attention. She was popular enough, however, for Shakespeare to include her in four plays, within varied social contexts but with a consistently inconsistent voice. \n \nThis collaboration reviews the role of Mistress Quickly across all four plays — 1&2 Henry IV, Henry V and The Merry Wives of Windsor — drawing on our experience of editing the character electronically for Internet Shakespeare Editions. These papers report on the problems, choices, and insights that e-editing Mistress Quickly has exposed","PeriodicalId":53676,"journal":{"name":"Renaissance Drama","volume":"47 1","pages":"201 - 237"},"PeriodicalIF":0.0000,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1086/705891","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Renaissance Drama","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/705891","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 1
Abstract
Although the popularity of Shakespeare's Falstaff from 1597 to now receives frequent acknowledgement, his straight-woman, Mistress Quickly, has attracted relatively scant attention. She was popular enough, however, for Shakespeare to include her in four plays, within varied social contexts but with a consistently inconsistent voice.
This collaboration reviews the role of Mistress Quickly across all four plays — 1&2 Henry IV, Henry V and The Merry Wives of Windsor — drawing on our experience of editing the character electronically for Internet Shakespeare Editions. These papers report on the problems, choices, and insights that e-editing Mistress Quickly has exposed