Konstruksi Hubungan Alam dan Manusia melalui Kerangka Maskulinitas Ekologis dalam Film Jungle (2017): Ekokritik Sastra

Nuril Rinahayu, Bayu Kristianto
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引用次数: 1

Abstract

This study examines the construction of the human-nature relationship in the Jungle (2017) movie. Jungle movie presents the mindset and behavior of men through four male characters (Yossi, Marcus, Kevin, and Karl) towards the wild (wilderness) as a masculinity framework. Using a qualitative method with an ecocriticism approach, especially related to ecological masculinity by Hultman and Pulé, this study shows how the construction of human-nature relationships through masculinity framework presents ecological masculinity as a form of hegemonic masculinity negotiation. The analysis focuses on two aspects of film studies: narrative and cinematographic by Bogss and Petrie. The results of this study indicate that in the depiction of nature through the Amazon Forest, nature is positioned as something dangerous, wild, scary, and capable of killing humans. Therefore, nature is represented as an entity that dominates humans. However, men's mindset and behavior towards nature present the illusion of a human versus nature dichotomy; in this case, the Jungle movie tries to present a critique of anthropocentrism. In addition, the mindset and behavior of male characters toward nature represent male masculinity models, especially ecological masculinity, as an alternative to hegemonic masculinity.
丛林中自然与人类关系的结构(2017):文学生态批判
本研究考察了《丛林》(2017)电影中人性关系的构建。《丛林》电影通过四个男性角色(Yossi、Marcus、Kevin和Karl)展现了男性对荒野的心态和行为,作为一个男性框架。本研究采用定性方法和生态批评方法,特别是Hultman和Pulé关于生态男性气质的方法,展示了通过男性气质框架构建人性关系是如何将生态男性气质呈现为霸权男性气质谈判的一种形式的。本文着重分析了电影研究的两个方面:伯格斯和皮特里的叙事和摄影。这项研究的结果表明,在通过亚马逊森林描绘自然的过程中,自然被定位为危险、狂野、可怕、能够杀死人类的东西。因此,自然被表现为一个支配人类的实体。然而,人类对待自然的心态和行为呈现出人与自然二分法的幻觉;在这种情况下,《丛林》电影试图对人类中心主义进行批判。此外,男性角色对自然的心态和行为代表了男性的男性气质模式,尤其是生态男性气质,作为霸权男性气质的替代品。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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