The Optics of Prediction in The Faerie Queene: Merlin’s Reflecting Telescope

IF 0.1 N/A MEDIEVAL & RENAISSANCE STUDIES
Kyle Pivetti
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Abstract

A mirror or a crystal ball? That interpretive crux arises at the heart of Book iii of Spenser’s The Faerie Queene – when Britomart discovers Merlin’s “glassy globe” and first sees Arthegall in its surface. The “looking-glasse,” that is, not only reflects Britomart but also tells the future. This essay revisits the problem of Merlin’s glass by locating it in the context of rapidly developing sixteenth-century optics, and one invention in particular: the reflecting telescope. By 1590, a range of thinkers from John Dee to Leonard Digges discovered in the reflective properties of mirrors innovative ways to understand human sight, cognition, and prediction. And it is Digges that proposes a reflecting telescope, a device that Merlin employs in Book iii. These scientific advances, in turn, inform Spenser’s references to vision and reflection throughout the poem, granting his allegory the ability both to distort sight and counter-intuitively to produce the future. Indeed, The Faerie Queene uses misrepresentation to protect its queen and to protect budding projects of nationalism. To see, for Spenser, is to change “the world it self” and to bring about its British futures.
《仙后》中的预言光学:梅林的反射望远镜
镜子还是水晶球?这个解释的关键出现在斯宾塞的《精灵奎恩》第三本的核心——当布里托马特发现梅林的“玻璃球体”并第一次看到它的表面时。“观察玻璃”,也就是说,不仅反映了Britomart,而且告诉了未来。本文重新审视了梅林玻璃的问题,将其定位在16世纪快速发展的光学领域,尤其是一项发明:反射望远镜。到1590年,从约翰·迪到伦纳德·迪格斯,一系列思想家在镜子的反射特性中发现了理解人类视觉、认知和预测的创新方式。正是迪格斯提出了一种反射望远镜,梅林在第三本书中使用了这种装置。这些科学进步反过来又为斯宾塞在整首诗中提到的视觉和反射提供了信息,赋予了他的寓言扭曲视觉和反直觉创造未来的能力。事实上,《精灵女王》利用虚假陈述来保护女王和正在萌芽的民族主义项目。对斯宾塞来说,看到这一点就是改变“世界本身”,并带来英国的未来。
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来源期刊
Explorations in Renaissance Culture
Explorations in Renaissance Culture MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.20
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发文量
11
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