Looking for the Spaceless Book, an E-publishing Archaeology

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
A. Ludovico
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引用次数: 0

Abstract

In the reformulation of the ‘publication’ concept after the electric and then electronic revolution, there is a consequent reformulation of the ‘space of publication’ which finally transcends the page and the binding as the insurmountable limits.Here the history of this process is tracked through the first optical attempts to compress the content in order to overcome those limits, conceptually preparing for a more radical technological shift. Foreseen in early science fiction visions, this shift determined by digital and the networked technologies, is dramatically collapsing the publication space towards a dimension close to the infinite, where the published object disappears in the reading machine, in what becomes a mere but sophisticated ‘container’.
寻找无空间的书,一个电子出版考古学
在电力革命和电子革命之后对“出版”概念的重新表述中,随之而来的是对“出版空间”的重新表述,最终超越了作为不可逾越的限制的页面和装订。这里追溯了这个过程的历史,通过第一次光学尝试来压缩内容,以克服这些限制,在概念上为更激进的技术转变做准备。早期的科幻小说预见到,这种由数字和网络技术决定的转变,正在戏剧性地将出版空间推向一个接近无限的维度,在那里,出版的对象消失在阅读机器中,成为一个纯粹但复杂的“容器”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Science and Technology of the Arts
Journal of Science and Technology of the Arts HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
自引率
0.00%
发文量
0
审稿时长
12 weeks
期刊介绍: The Journal of Science and Technology of the Arts (CITARJ) covers a wide range of topics related to the study and practice of Artistic work approached through Science and Technology, including: -Aesthetics of New Media- Audiovisual and Cinematic Art- Computer Music- Digital Arts - Digital Culture- Generative Art/Systems- Interactive Art - Interactive Multimedia- Interactive Sound- New Interfaces for Digital Expression- New Media Art- Tangible interfaces.
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