Fotografía en América Latina: historia e historiografía (siglos XIX y XX)

IF 0.2 0 ART
Magdalena Broquetas, Andrea Cuarterolo
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引用次数: 0

Abstract

Since the end of the last century, the historiography of photography in Latin America began a period of rapid transformation due to two factors that stimulated the development of this field in the region: the accelerated evolution of photographic archives and the entry of photography as an object of study in universities. These changes gave rise to a methodological reflection that brought historians closer to the world of images, confronting them with unique challenges and possibilities in relation to other types of sources. The need to develop a specific vocabulary and methodology for the analysis of these images and to focus the study of photography as part of a chain that involves several agents was postulated. An understanding of the historical dimension of photography was proposed, not only as an artistic expression but fundamentally as the history of a means of recording, communication and expression with diverse purposes. The use of images as primary sources was encouraged, respecting their context, their multiple social functions, and their stories and itineraries. This dossier seeks to account for this diversity, vitality and renewal of historiographic studies on Latin American photography from different theoretical and methodological perspectives
拉丁美洲摄影:历史与史学(19世纪和20世纪)
自上世纪末以来,拉丁美洲的摄影史学开始了一个快速转型的时期,这是因为两个因素刺激了该领域在该地区的发展:摄影档案的加速演变和摄影作为研究对象进入大学。这些变化引起了方法论上的反思,使历史学家更接近图像世界,使他们面临与其他类型来源相关的独特挑战和可能性。有必要开发一种特定的词汇和方法来分析这些图像,并将摄影研究作为涉及几个代理的链的一部分。提出了对摄影的历史维度的理解,不仅作为一种艺术表达,而且从根本上作为一种具有多种目的的记录、交流和表达手段的历史。鼓励使用图像作为主要来源,尊重它们的背景,它们的多重社会功能,以及它们的故事和行程。本档案试图从不同的理论和方法角度解释拉丁美洲摄影史学研究的多样性、活力和更新
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
35
审稿时长
12 weeks
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