Contingency, Precarity and Short-Video Creativity: Platformization Based Analysis of Chinese Online Screen Industry

IF 2.4 2区 文学 Q1 COMMUNICATION
Chun-Pin Su
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引用次数: 5

Abstract

Platformization theory proposes that cultural productions are contingent on platforms. This study argues that in the Chinese context; however, online productions are contingent not only on platforms, but on government policies. Under the influence of state, market, and platform policy, major streaming services in China are becoming an online “state TV.” The limitations placed on grassroots content has forced creators to thrive elsewhere, contributing to the proliferation of short video platforms such as TikTok. This study investigates the contingency and precarity of the online sector to map the migration of content creators from conventional streaming services to the emerging creative forms of short videos and livestreaming.
偶然性、不确定性与短视频创意——基于平台化的中国网络屏幕产业分析
平台化理论认为文化生产是以平台为条件的。本研究认为,在中国语境下;然而,在线制作不仅取决于平台,还取决于政府政策。在国家、市场和平台政策的影响下,中国的主要流媒体服务正在成为一个在线的“国家电视台”。对草根内容的限制迫使创作者在其他地方蓬勃发展,导致了TikTok等短视频平台的激增。这项研究调查了在线行业的偶然性和不稳定性,以绘制内容创作者从传统流媒体服务向新兴创意形式短视频和直播的迁移图。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
5.60
自引率
5.00%
发文量
49
期刊介绍: Television & New Media explores the field of television studies, focusing on audience ethnography, public policy, political economy, cultural history, and textual analysis. Special topics covered include digitalization, active audiences, cable and satellite issues, pedagogy, interdisciplinary matters, and globalization, as well as race, gender, and class issues.
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