ERMÄCHTIGUNG DES PUBLIKUMS UND ENTMÄCHTIGUNG DES KÜNSTLERS: GENIEDISKURSE DER NACHROMANTIK MIT BLICK AUF DEN FRÜHEN MOZARTKULT UND GRILLPARZER

IF 0.2 3区 文学 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN
Werner Michler
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引用次数: 0

Abstract

The article discusses aspects of the dialectics of genius cults in the nineteenth century, using examples of Mozart's reception: the unveiling of the Salzburg memorial statue in 1842, Franz Grillparzer's texts on Wolfgang Amadeus Mozart and his son Franz Xaver, as well as the artist's novella Der arme Spielmann. The consolidation and popularisation of genius discourse in the genius cults of post-Romanticism exerted unprecedented if latent pressure on producers of art in the period: the cults around prominent figures make great art into an unattainable exception. The article investigates how Franz Xaver Mozart and Grillparzer reacted to this dilemma.

授权观众和剥夺艺术家的权力:对早期时尚崇拜对象的浪漫论调和直销
本文讨论了19世纪天才崇拜辩证法的各个方面,并以莫扎特的接待为例:1842年萨尔茨堡纪念雕像的揭幕,弗朗茨·格里帕泽关于沃尔夫冈·阿玛德乌斯·莫扎特和他的儿子弗朗茨·泽维尔的文本,以及艺术家的中篇小说《武装的斯皮尔曼》。后浪漫主义天才崇拜中天才话语的巩固和普及,对这一时期的艺术生产者施加了前所未有的潜在压力:对杰出人物的崇拜,使伟大的艺术成为不可企及的例外。本文调查了莫扎特和格里尔帕泽是如何应对这一困境的。
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来源期刊
GERMAN LIFE AND LETTERS
GERMAN LIFE AND LETTERS LITERATURE, GERMAN, DUTCH, SCANDINAVIAN-
CiteScore
0.20
自引率
0.00%
发文量
43
期刊介绍: - German Life and Letters was founded in 1936 by the distinguished British Germanist L.A. Willoughby and the publisher Basil Blackwell. In its first number the journal described its aim as "engagement with German culture in its widest aspects: its history, literature, religion, music, art; with German life in general". German LIfe and Letters has continued over the decades to observe its founding principles of providing an international and interdisciplinary forum for scholarly analysis of German culture past and present. The journal appears four times a year, and a typical number contains around eight articles of between six and eight thousand words each.
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