Culture coding - a method for diversifying artefact associations in design ideation

IF 1.2 Q4 ENGINEERING, MANUFACTURING
Jana Pejoska, Eva Durall, M. Bauters, Teemu Leinonen
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引用次数: 0

Abstract

ABSTRACT It can be claimed that technological systems are, in some ways, reflections of the designers’ way of thinking. These designs affect the behavior of the users and contribute to the reproduction of future designs, thus strengthening the existing human-technology relations. To address these issues critically, there is a need to challenge design ideation processes for generating a larger variety of design proposals that can contribute to varied users and user behavior. For this purpose, we propose a new method- Culture Coding, that can complement design ideation processes where generating, developing, and elaborating ideas is crucial. In this qualitative study, we explore the value of the proposed method in design by using design activities and a research-through-design approach. The experimental setup consists of two Design Cases where study participants contributed by taking part in two co-design workshops. The findings of the study indicate that Culture Coding may help to guide attention to new perspectives and challenge assumptions of the design context.
文化编码-一种使设计构思中的人工制品联想多样化的方法
可以说,技术系统在某种程度上反映了设计者的思维方式。这些设计影响了用户的行为,并有助于未来设计的复制,从而加强了现有的人与技术关系。为了批判性地解决这些问题,有必要挑战设计构思过程,以产生更多种类的设计建议,这些建议可以有助于不同的用户和用户行为。为此,我们提出了一种新的方法——文化编码,它可以补充设计构思过程,其中产生、发展和阐述想法是至关重要的。在这个定性研究中,我们通过使用设计活动和通过设计的研究方法来探索所提出的方法在设计中的价值。实验设置由两个设计案例组成,研究参与者通过参加两个共同设计研讨会来做出贡献。研究结果表明,文化编码可能有助于引导人们关注新的视角,并挑战设计背景的假设。
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来源期刊
CiteScore
3.80
自引率
27.80%
发文量
15
期刊介绍: The International Journal of Design Creativity and Innovation is an international publication that provides a forum for discussing the nature and potential of creativity and innovation in design from both theoretical and practical perspectives. Design creativity and innovation is truly an interdisciplinary academic research field that will interest and stimulate researchers of engineering design, industrial design, architecture, art, and similar areas. The journal aims to not only promote existing research disciplines but also pioneer a new one that lies in the intermediate area between the domains of systems engineering, information technology, computer science, social science, artificial intelligence, cognitive science, psychology, philosophy, linguistics, and related fields. The journal covers, but is not restricted to, the following topics: ·Theories on Design Creativity and Innovation ·Cognition of Design Creativity ·Innovative Process ·Inventive Process ·Analogical Reasoning for Design Creativity and Innovation ·Design Synthesis ·Method and Tools for Design Creativity and Innovation ·Representation of Design Creativity and Innovation ·Education for Design Creativity and Innovation ·Concept Generation and Inspiration.
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