Meeting Things

IF 0.6 0 ARCHAEOLOGY
Geneviève Godin
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引用次数: 0

Abstract

This paper is an exploration of the points of encounter that become visible through the practice of mudlarking – that is, the gathering of materials from the foreshore along the River Thames in London, England. I first examine the foreshore itself, as the meeting place between underworlds, liquid worlds and surface worlds, positing that it therefore constitutes a borderland. Based on fieldwork carried out in Rotherhithe and Greenwich, I further argue that the spatiotemporal dimension of experience is destabilised in such a location. Another point of encounter is identified as existing between the hand and the found thing, creating a form of tactile material intimacy and performative theorising. Lastly, I suggest that touching and holding are not passive acts, but an interlocking of porous bodies and a way to cohabit with things as they emerge from the mud.
会议的事情
这篇论文是对通过mudlarking实践(即从英国伦敦泰晤士河沿岸收集材料)而变得可见的相遇点的探索。我首先考察了前海岸本身,作为地下世界、液体世界和地表世界之间的交汇处,假设它因此构成了一个边界地带。基于在罗瑟希特和格林威治进行的实地考察,我进一步认为,在这样一个地点,体验的时空维度是不稳定的。另一个相遇点被确定为存在于手和发现的东西之间,创造了一种触觉材料的亲密形式和表演理论。最后,我认为触摸和握住不是被动的行为,而是多孔体的联锁,是一种与从泥中浮现出来的事物共存的方式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.20
自引率
0.00%
发文量
14
期刊介绍: The Journal of Contemporary Archaeology is the first dedicated, international, peer-reviewed journal to explore archaeology’s specific contribution to understanding the present and recent past. It is concerned both with archaeologies of the contemporary world, defined temporally as belonging to the twentieth and early twenty-first centuries, as well as with reflections on the socio-political implications of doing archaeology in the contemporary world. In addition to its focus on archaeology, JCA encourages articles from a range of adjacent disciplines which consider recent and contemporary material-cultural entanglements, including anthropology, art history, cultural studies, design studies, heritage studies, history, human geography, media studies, museum studies, psychology, science and technology studies and sociology. Acknowledging the key place which photography and digital media have come to occupy within this emerging subfield, JCA includes a regular photo essay feature and provides space for the publication of interactive, web-only content on its website.
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