Hermès Dionysophore

Q2 Arts and Humanities
Alexis Bonnefoy, M. Feugére
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引用次数: 0

Abstract

The ‘Lormier bronze’, named after its earliest known owner, is an exceptional statuette made of copper alloy. It is remarkable, both by its subject and its style, of very fine quality; but also by its state of conservation, namely its gilding, which allows us to contemplate, for once, such a statuette close to its original aspect. The iconography, rather rare in the field of small bronze figurines, clearly derives from the large statuary and illustrates a little-known episode of the Graeco-Roman mythology. Through the diverse possible models and their repercussion in the ‘minor arts’, the article allows to place this work in the Graeco-Roman production by following, in its main lines, the long way going from the original work to the series crafts, sometimes, as here, of high quality.
爱马仕酒神
“洛米尔青铜”以其最早的主人命名,是一尊由铜合金制成的特殊小雕像。无论是题材还是风格,它都非常出色;还有它的保护状态,也就是镀金,这让我们可以第一次思考这样一个接近其原始面貌的小雕像。这种图像在小型青铜雕像领域相当罕见,显然源于大型雕像,并说明了格雷科罗马神话中一个鲜为人知的插曲。通过各种可能的模型及其在“小艺术”中的反响,文章允许将这件作品放在Graeco Roman的作品中,在其主线上,从原作到系列工艺,有时,就像这里一样,质量很高。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Studies in Ancient Art and Civilization
Studies in Ancient Art and Civilization Arts and Humanities-Classics
CiteScore
0.20
自引率
0.00%
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0
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