The eco-sonic grotesque in Béla Bartók’s The Wooden Prince

IF 0.1 4区社会学 Q4 CULTURAL STUDIES

Parallax Pub Date : 2020-04-02 DOI:10.1080/13534645.2020.1766749

Rasheed Tazudeen

引用次数: 0

Abstract

In his 1913 manifesto on noise-sound composition, ‘The Art of Noises’ Futurist painter Luigi Russolo draws a distinction between the noises of machinery and the supposed ‘silence’ of nature, whose ...

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巴姆拉西Bartók《木王子》中的生态声音怪诞

在他1913年关于噪音-声音构成的宣言“噪音的艺术”中，未来主义画家路易吉·卢索罗(Luigi Russolo)区分了机器的噪音和自然的“沉默”，后者的……

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来源期刊

Parallax Multiple-

CiteScore

0.50

自引率

0.00%

发文量

期刊介绍： Founded in 1995, parallax has established an international reputation for bringing together outstanding new work in cultural studies, critical theory and philosophy. parallax publishes themed issues that aim to provoke exploratory, interdisciplinary thinking and response. Each issue of parallax provides a forum for a wide spectrum of perspectives on a topical question or concern. parallax will be of interest to those working in cultural studies, critical theory, cultural history, philosophy, gender studies, queer theory, post-colonial theory, English and comparative literature, aesthetics, art history and visual cultures.