Mapping the core actors and flows in streaming video services: what Netflix can tell us about these new media networks

IF 0.6 Q4 BUSINESS
Anders Fagerjord, Lucy Kueng
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引用次数: 22

Abstract

ABSTRACT The popular video streaming services are complex technological and economic systems, comprising parts that have not received much scholarly attention. We provide an overview of the main technologies used when streaming television from production to the viewers, the main players that are involved, and the revenue flows between them. Our case is Netflix, which we studied through company reports, industry reports, and press accounts. It is mapped as five sets of actors: content providers, Netflix itself, primary distribution, secondary distribution, and device makers. Between these we observe four flows: video, intellectual property rights, revenue, and data. We find that streaming services are “new beasts”, very reliant on external partners, and with a strong focus on technology. They may not be just media companies or technology companies but somewhere in between. Scholarly or juridical comparisons with legacy players may hide these aspects.
映射流媒体视频服务的核心角色和流:Netflix可以告诉我们关于这些新媒体网络的什么
流行的视频流媒体服务是一个复杂的技术和经济系统,其组成部分尚未受到太多的学术关注。我们概述了当电视从制作到观众时使用的主要技术,所涉及的主要参与者,以及它们之间的收入流。我们的案例是Netflix,我们通过公司报告、行业报告和媒体报道对其进行了研究。它被映射为五组参与者:内容提供商、Netflix本身、主要分销商、次要分销商和设备制造商。在这些流中,我们观察到四种流:视频、知识产权、收入和数据。我们发现流媒体服务是“新野兽”,非常依赖外部合作伙伴,并且非常关注技术。它们可能不仅仅是媒体公司或科技公司,而是介于两者之间的公司。学术或法律上与传统玩家的比较可能会隐藏这些方面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
4.00
自引率
7.70%
发文量
10
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