Gender theme in new media art

Asmati Chibalashvili, Polina Kharchenko
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Abstract

The article presents artistic projects in which the issue of gender is actualized. The above was carried out from the position of post-humanist ideas through the study of the impact of the development of technologies on modern socio-cultural processes. Thus, the projects created in different genres were analyzed, including post-cinema (“Night Walk for Edinburgh”, “A Total Jizzfest”) aimed at changing gender perceptions in society, Ellen Pearlman’s opera “Emotionally intelligent” Artificially Intelligent Brainwave Opera” (AIBO), in which, thanks to the involvement of artificial intelligence as an actor, gender opposition is reinforced. The Female Laptop Orchestra (FLO) project is dedicated to the support of female creativity, which, thanks to the involvement of information and communication tools, combines music creation with research in its activity. An important aspect of the considered projects is defined as interactivity, which is implemented by involving the viewer in the process of their creation. It was found that, on the one hand, the digital virtual space made it possible to reduce the importance of social roles or gender affiliation, thereby leveling the stereotype of the opposition between the author’s masculinity and femininity. On the other hand, with the development of machine learning technologies, a new opposition between the human author and the artificial intelligence in the same capacity is gradually emerging.
新媒体艺术中的性别主题
文章介绍了实施性别问题的艺术项目。以上是从后人文主义思想的立场出发,通过研究技术的发展对现代社会文化进程的影响而进行的。因此,对不同类型的项目进行了分析,包括旨在改变社会性别观念的后电影(《爱丁堡夜行》、《疯狂狂欢》)、艾伦·皮尔曼的歌剧《情感智能的人工智能脑波歌剧》(AIBO),由于人工智能作为演员的参与,性别对立加剧。女性笔记本电脑乐团(FLO)项目致力于支持女性创造力,由于信息和通信工具的参与,该项目将音乐创作与研究相结合。所考虑的项目的一个重要方面被定义为交互性,它是通过让观众参与到项目的创建过程中来实现的。研究发现,一方面,数字虚拟空间可以降低社会角色或性别归属的重要性,从而消除作者男性气质和女性气质对立的刻板印象。另一方面,随着机器学习技术的发展,人类作者和同样身份的人工智能之间的新对立正在逐渐出现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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