Antifascist Athletes? A Reappraisal of the 1936 Berlin Olympics

IF 0.6 0 HUMANITIES, MULTIDISCIPLINARY
Fascism Pub Date : 2020-12-21 DOI:10.1163/22116257-09010002
Keith Rathbone
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引用次数: 0

Abstract

In Olympia, Leni Riefenstahl offered representations of idealized Aryan athletes and their democratic counterparts, including Jesse Owens. Her evocative images shaped historical memory and the historiography of the Berlin Games as either a German propaganda victory or a moment of athletic antifascist resistance. The notion of the Berlin Games populated with ‘democratic’ and ‘fascist’ athletes is largely ahistorical. Riefenstahl’s fascist/antifascist dyad prompted scholars to ask questions about appropriate athletic behaviors, but it also required them to elide contrary histories, including Owens’ own experiences of racial segregation in the United States. A more holistic view of the Games, that encompasses both the antifascist resistance to it and the ultimate decision of most athletes to attend, confounds any analysis that slips sportsmen and women into neat heuristic categories of fascist and antifascist and opens the door to the possibility of personal politics outside of the dyad of fascism/antifascism.
反法西斯的运动员吗?对1936年柏林奥运会的重新评价
在奥林匹亚,Leni Riefenstahl展示了理想化的雅利安运动员和他们的民主同行,包括Jesse Owens。她令人回味的图像塑造了历史记忆和柏林奥运会的历史,将其视为德国宣传胜利或体育反法西斯抵抗的时刻。柏林奥运会充斥着“民主”和“法西斯”运动员的概念在很大程度上是不符合历史的。里芬斯塔尔的法西斯/反法西斯二人组促使学者们就适当的运动行为提出问题,但这也要求他们忽略相反的历史,包括欧文斯自己在美国的种族隔离经历。对奥运会的更全面的看法,包括对它的反法西斯抵抗和大多数运动员参加奥运会的最终决定,混淆了任何将运动员和女性分为法西斯和反法西斯两类的分析,并为法西斯主义/反法西斯主义之外的个人政治打开了大门。
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来源期刊
Fascism
Fascism HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
11
审稿时长
20 weeks
期刊介绍: Fascism publishes peer-reviewed (double blind) articles in English, mainly but not exclusively by both seasoned researchers and postgraduates exploring the phenomenon of fascism in a comparative context and focusing on such topics as the uniqueness and generic aspects of fascism, patterns in the causal aspects/genesis of various fascisms in political, economic, social, historical, and psychological factors, their expression in art, culture, ritual and propaganda, elements of continuity between interwar and postwar fascisms, their relationship to national and cultural crisis, revolution, modernity/modernism, political religion, totalitarianism, capitalism, communism, extremism, charismatic dictatorship, patriarchy, terrorism, fundamentalism, and other phenomena related to the rise of political and social extremism.
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