The Curse: Film and the Churches in the Western Isles 1945 to 1980

IF 0.3 Q2 HISTORY
Callum G. Brown, Ealasaid Munro
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引用次数: 0

Abstract

Focusing on the Isle of Lewis in the Outer Hebrides, this article looks at the interaction between religious culture and film between the 1940s and 1980s. Its first main feature is an examination of the causes of the closure of the Playhouse cinema in Stornoway in 1977–79 and the role of the Calvinist churches and the local authorities in this and other film censorship. It identifies a growing vigour on the part of some churchmen, notably of the Free Presbyterian Church, and the role of one of them in publicly imposing ‘a curse’ upon the manager of the Playhouse for daring to schedule the film ‘Jesus Christ Superstar’ with its ‘blasphemous’ depiction of Jesus Christ. It notes the increasing attempts of local politicians in the 1950s, 60s and 70s to impose stricter religious formulae through statutory powers, especially after the creation of the separate Western Isles Council in the mid 1970s. The article explores church and lay attitudes to cinema through oral testimony, the tensions between urban and rural with Lewis, and the wider social, cultural, linguistic and demographic contexts in which both opposition to, and tolerance of, cinema need to be understood in an island less estranged from modern media than might be supposed.
《诅咒:1945 - 1980年西部群岛的电影与教会》
本文以外赫布里底群岛的刘易斯岛为中心,考察了20世纪40年代至80年代宗教文化与电影之间的相互作用。它的第一个主要特点是考察了1977-79年斯托诺威剧场电影院关闭的原因,以及加尔文教会和地方当局在这次和其他电影审查中的作用。它表明了一些神职人员日益增长的活力,特别是自由长老会教会,其中一个角色公开对剧院经理施加“诅咒”,因为他敢于安排电影“耶稣基督超级巨星”与“亵渎”耶稣基督的描述。报告指出,在20世纪50年代、60年代和70年代,当地政客越来越多地试图通过法定权力强加更严格的宗教规定,尤其是在20世纪70年代中期独立的西岛议会成立之后。这篇文章探讨了教会和世俗对电影的态度,通过口头证词,城市和乡村之间的紧张关系,以及更广泛的社会、文化、语言和人口背景,在这些背景下,对电影的反对和容忍都需要在一个与现代媒体不那么疏远的岛屿上被理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.10
自引率
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发文量
11
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