To Find a Seat: Tracing the Ideoscape of Seats in the Pathars’ Lifeworld in Penang

Q1 Arts and Humanities
Interiority Pub Date : 2023-01-30 DOI:10.7454/in.v6i1.247
Sanjeh Kumar Raman, S. A. Zakaria
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Abstract

This article examines the roles taken by seats in the buildings that form the lifeworld of Pathars—traditional Tamil goldsmiths—as an ideoscape following their migration to Penang during the British colonial period in the 19th century. This study used a phenomenological ethnography method to bring Pathars’ lived experiences with their physical environment to the forefront, highlighting the subjectiveness of architecture that shapes their lifeworld. The ideoscape of seats is analysed in themes to examine the power and politics of seats in the Pathars’ lifeworlds, including present-day migrant workers. To find a seat is a metaphor that elicits discussion on Pathars’ existential lives and highlights how this community has attempted to negotiate its way as agents of change or to bring the agency to their position in creating spatial norms in place amidst the state reifying its enclaves with essentialised notions of ethnic identity, following the formation of nation-states.
寻找座位:追寻槟城路行者生活世界中座位的思想景观
这篇文章探讨了在19世纪英国殖民时期,Pathars(传统的泰米尔金匠)迁移到槟城后,在构成他们生活世界的建筑中,座位所扮演的角色。本研究采用现象学民族志的方法,将Pathars的生活经历与他们的物理环境放在首位,突出了建筑塑造他们生活世界的主观性。对席位的意识形态进行了主题分析,以考察Pathars生活世界中席位的权力和政治,包括当今的移民工人。找到一个座位是一个隐喻,它引发了人们对Pathars生存生活的讨论,并强调了这个社区是如何试图作为变革的推动者进行谈判的,或者在民族国家形成后,在用种族认同的本质化概念将其飞地具体化的国家中,将该机构带到他们的位置,以创建适当的空间规范。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Interiority
Interiority Arts and Humanities-Visual Arts and Performing Arts
CiteScore
2.10
自引率
0.00%
发文量
16
审稿时长
10 weeks
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