RETHINKING THE PEDIGREES OF AFRICAN CULTURAL WATERSHED: A POST-COLONIAL INQUEST NTO CHINUA ACHEBE’S ARROW OF GOD

ELTALL Pub Date : 2022-09-17 DOI:10.21154/eltall.v3i2.4832
M. Montle
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引用次数: 0

Abstract

The African cultural identities have undergone earth-shattering shifts from the precolonial epoch to the colonial and post-colonial periods. It is the colonial empire that advented in the African continent in the 15th century and attempted to erode and stigmatise African cultural practices as part of its mission to take control of Africa. Despite Africa being under a democratic administration today, African cultural identities are still marginalised, chiefly, by colonial remnants that have not yet been successfully uprooted. Thus, this paper aims to re-anatomise the African cultural identity-crises in the present day from the onset of colonialism on the continent. It utilises a qualitative approach and crystallises this African cultural watershed from a literary perspective. Chinua Achebe’s Arrow of God is purposively sampled for the paper as a primary reference point by dint of its conformity to the main theme of the study. The paper, comprehensively, blames the enduring colonial fragments in the present day for the African cultural identity-crises as they hinder decolonisation and peril African cultures. The colonial legacies in Africa today, like in the colonial times, are found to be championing Western identities at the expense of African cultural identities, hence, the latter is still menaced.
对非洲文化分水岭谱系的再思考&对阿切贝《上帝之箭》的后殖民考察
从前殖民时代到殖民和后殖民时期,非洲的文化特征发生了翻天覆地的变化。正是这个殖民帝国于15世纪在非洲大陆冒险,试图侵蚀和污名化非洲文化习俗,作为其控制非洲使命的一部分。尽管非洲今天处于民主管理之下,但非洲的文化身份仍然被边缘化,主要是被尚未成功铲除的殖民残余所边缘化。因此,本文旨在从殖民主义在非洲大陆的兴起开始,重新剖析当今非洲的文化认同危机。它采用了定性的方法,并从文学的角度具体化了这一非洲文化分水岭。本文有针对性地选取了阿切贝的《上帝之箭》作为主要参考点,以期与本研究的主题相吻合。该论文全面地将非洲文化身份危机归咎于当今持久的殖民碎片,因为它们阻碍了非殖民化并危及非洲文化。与殖民时代一样,今天非洲的殖民遗产被发现是以牺牲非洲文化身份为代价来支持西方身份,因此,后者仍然受到威胁。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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