Embodiment through digital intangibility: Infrastructures of musicking

IF 1.1 4区计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS

Journal of New Music Research Pub Date : 2021-03-15 DOI:10.1080/09298215.2021.1899248

Tarja Rautiainen-Keskustalo

引用次数: 3

Abstract

The paper examines the sonic experiences of the listener in digital environments by using a Bluetooth speaker as an example. It discusses how the everyday use of a speaker highlights human beings’ material and multi-sensory situatedness in digital environments. Based on the analytical approaches concerning embodiment, movement, and infrastructures, the paper aims to develop further the idea of musicking in everyday life contexts. It suggests that in addition to the social importance of music, the material approach to musicking reveals new political and ethical questions, especially those concerning the power of code and planetary sustainability.

查看原文本刊更多论文

数字化无形的体现:音乐的基础设施

本文以蓝牙扬声器为例，探讨了听众在数字环境中的声音体验。它讨论了扬声器的日常使用如何突出人类在数字环境中的物质和多感官处境。基于对具体化、运动化和基础设施的分析方法，本文旨在进一步发展日常生活中的音乐创作理念。它表明，除了音乐的社会重要性之外，音乐创作的物质方法还揭示了新的政治和伦理问题，特别是那些关于代码的力量和地球可持续性的问题。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

求助全文

约1分钟内获得全文求助全文

来源期刊

Journal of New Music Research 工程技术-计算机：跨学科应用

CiteScore

3.20

自引率

0.00%

发文量

审稿时长

>12 weeks

期刊介绍： The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.