On Cicero’s fine-grained perception of the prosodic features in Latin

IF 0.2 0 CLASSICS
G. Marotta
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引用次数: 3

Abstract

Abstract The long tradition of philology and comparative linguistics acknowledges the distinctive value of vowel length in Latin phonology. However, to think of Latin as a spoken language, and not only as a literary one, implies the adoption of a sociolinguistic perspective based on the idea of variation, at all levels of grammar. In this view, with due caution, it is possible to argue that vowel length was unstable ab antiquo in spoken Latin, at least in the low diaphasic and diastratic levels. In this view, the paper analyzes some passages by Cicero often interpreted as testimonies in favor of the maintenance of contrastive vowel length in the phonological competence of Roman speakers. In those passages, Cicero compares the performance of the orators in the forum to the one of the actors in the theater. This comparison is based on the idea that the competence in the phonetic and prosodic elements of language could determine the success of the locutory act in both communicative contexts. The detailed analysis of the texts suggests that the whistles of the audience in the theater of which Cicero speaks to us might refer to prosodic errors concerning the length of the verse rather than that of the vowel. Therefore, those testimonies could not be considered an evidence in favor of the fine-grained perception of vowel length by all the speakers of Latin.
论西塞罗对拉丁语韵律特征的细致把握
文献学和比较语言学的悠久传统承认元音长度在拉丁音系学中的独特价值。然而,将拉丁语视为一种口语,而不仅仅是一种文学语言,意味着在语法的各个层面上都采用了基于变异思想的社会语言学观点。在这种观点中,只要谨慎,就有可能认为拉丁语口语中的元音长度是不稳定的,至少在低元音和非元音水平上是这样。基于这一观点,本文分析了西塞罗的一些段落,这些段落通常被解释为有利于在罗马语使用者的语音能力中保持对比元音长度的证词。在这些段落中,西塞罗将论坛上的演说家的表演与剧院里的演员的表演进行了比较。这种比较是基于这样一种观点,即语言的语音和韵律元素的能力可以决定言语行为在两种交际环境中的成功。对文本的详细分析表明,西塞罗与我们交谈的剧院里观众的口哨声可能指的是与诗歌长度有关的韵律错误,而不是元音的长度。因此,这些证词不能被视为支持所有拉丁语使用者对元音长度的精细感知的证据。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.80
自引率
50.00%
发文量
5
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