“Why Don't They Display Male Nudes?”

IF 0.1 Q3 HISTORY
Aspasia Pub Date : 2023-06-01 DOI:10.3167/asp.2023.170109
Anna Dobrowolska
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引用次数: 0

Abstract

In the West, the 1970s were the decade of rapid sexual liberalization. Similarly, in state-socialist Poland new approaches toward sex and nudity also gained momentum. Female nudes started being printed in the popular press and displayed in gallery rooms. Simultaneously, early feminist artists such as Natalia LL, Teresa Murak, and Ewa Partum experimented with nudity to question gendered discourses and social norms. This article compares popular nude photography exhibitions with the works of women artists to analyze two approaches toward female nudity that developed in 1970s Poland. Thus, it showcases the ambiguities surrounding the project of socialist sexual modernity and highlights conflicting visions of femininity and liberation.
“为什么他们不展示男性裸体?”
在西方,20世纪70年代是性解放快速发展的十年。同样,在国家社会主义的波兰,对待性和裸体的新方法也获得了动力。女性裸体开始出现在大众媒体上,并在画廊里展出。与此同时,早期的女权主义艺术家,如Natalia LL、Teresa Murak和Ewa natal,也尝试用裸体来质疑性别话语和社会规范。本文将流行的裸体摄影展与女性艺术家的作品进行比较,分析20世纪70年代波兰发展起来的两种女性裸体方式。因此,它展示了围绕社会主义性现代性项目的模糊性,并突出了女性气质和解放的冲突愿景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Aspasia
Aspasia HISTORY-
CiteScore
0.30
自引率
0.00%
发文量
14
审稿时长
30 weeks
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