La reforma luterana y la transformación de la imagen religiosa en las artes / The Lutheral Reform and the transformation of the religious image in the arts

IF 0.8 Q3 COMMUNICATION
M. M. Delgado
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引用次数: 2

Abstract

After 500 years of the emblematic gesture of Martin Luther in Wittenberg that would start the Protestant Reformation, it is necessary to study the place that religious images had in the new vision of Christianity from the Lutheran ideas. The significant proposal of two German artists, Albrecht Durer and Lucas Cranach, the Elder is analyzed. From the first, a unique work, The Four Apostles, which recomposes and reconfigures the religious image from the devotional to the declarative, emphasizing the importance of the Gospel and the word in religious artistic expression. And, of the second, two works that finish sealing the new place that will occupy the religious images in the Lutheran Church, Law and Gospel and Christ blessing the children, with which Cranach approaches the Lutheran preaching and a vision of the religious set of images most linked to the Scriptures. However, in both cases, the demystification of the religious image is remarkable, as long as it takes the place of support for the preaching, avoiding acting as its substitute. The reconfiguration of the religious image that places it in a sphere different from that of the Christian tradition initiated with the official stipulations of the Second Council of Nicaea is analyzed.
路德会改革与艺术中宗教形象的转变/路德会改革与艺术中宗教形象的转变
在马丁·路德(Martin Luther)在维滕贝格(Wittenberg)开启新教改革的象征性姿态500年后,有必要从路德的思想中研究宗教形象在基督教新视野中的地位。分析了两位德国艺术家Albrecht Durer和Lucas Cranach, The Elder的重要提议。从第一,一个独特的作品,四使徒,重组和重新配置的宗教形象,从虔诚到宣言,强调福音和话语在宗教艺术表现的重要性。第二部,有两部作品完成了对路德教会宗教形象的新定位,《律法与福音》和《基督祝福儿童》克拉纳赫用这两部作品来阐述路德教会的布道以及与圣经最相关的一系列宗教形象。然而,在这两种情况下,宗教形象的去神秘化是显著的,只要它取代了对布道的支持,而不是作为它的替代品。分析了宗教形象的重新配置,将其置于不同于第二次尼西亚大公会议正式规定所发起的基督教传统的领域。
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来源期刊
Vivat Academia
Vivat Academia COMMUNICATION-
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