The Land of (Almost) No Central Government Arts Spending? Cultural Policy, Protestant Denominations, and the Cultural Policy Singularity of Unites States of America

IF 0.5 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Joaquim Rius-Ulldemolins
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引用次数: 0

Abstract

Abstract Cultural policy in USA has usually been considered an exception at the international level, not only because it constitutes a unique model due to its liberal orientation and its lack of central coordination, but also because it stands out for the limitations it places on federal action. The explanation for this has traditionally focused on external factors such as the rejection of totalitarianism or the strength of the private cultural market. However, this emphasis on factors external to the cultural system is exaggerated and above all, underestimates internal factors of a religious nature. For this reason, we propose that one of the explanatory factors for this singularity is Protestantism in its most fundamentalist variants, which promotes an anti-intellectual and puritanical political culture. Consequently, a part of the population and especially the political elite linked to the Christian right has limited the consolidation and empowerment of cultural policy since the 1960s.
中央政府几乎没有艺术支出?文化政策、新教教派和美国文化政策的独特性
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来源期刊
JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY
JOURNAL OF ARTS MANAGEMENT LAW AND SOCIETY HUMANITIES, MULTIDISCIPLINARY-
CiteScore
1.50
自引率
0.00%
发文量
33
期刊介绍: How will technology change the arts world? Who owns what in the information age? How will museums survive in the future? The Journal of Arts Management, Law, and Society has supplied answers to these kinds of questions for more than twenty-five years, becoming the authoritative resource for arts policymakers and analysts, sociologists, arts and cultural administrators, educators, trustees, artists, lawyers, and citizens concerned with the performing, visual, and media arts, as well as cultural affairs. Articles, commentaries, and reviews of publications address marketing, intellectual property, arts policy, arts law, governance, and cultural production and dissemination, always from a variety of philosophical, disciplinary, and national and international perspectives.
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