{"title":"Music to My Eyes: A Conversation with Alain Gomis","authors":"Guillaume Coly","doi":"10.2979/blackcamera.14.1.07","DOIUrl":null,"url":null,"abstract":"Abstract:In the following interview, the French-Senegalese director Alain Gomis discusses some of his varied sources of inspiration and provides a sobering examination of the Senegalese film industry. The director also expounds upon his last feature, the cryptic Félicité (2017, France and Senegal), notably outlining the reasons why he is drawn to hybrid characters and liminal spaces. Lastly, Gomis explains his approach to spectatorship and reveals his upcoming film projects.","PeriodicalId":42749,"journal":{"name":"Black Camera","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Black Camera","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2979/blackcamera.14.1.07","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:In the following interview, the French-Senegalese director Alain Gomis discusses some of his varied sources of inspiration and provides a sobering examination of the Senegalese film industry. The director also expounds upon his last feature, the cryptic Félicité (2017, France and Senegal), notably outlining the reasons why he is drawn to hybrid characters and liminal spaces. Lastly, Gomis explains his approach to spectatorship and reveals his upcoming film projects.