Technology, Maturity, and Craft: Making Vinyl Records in the Digital Age

IF 3.4 2区 哲学 Q2 BUSINESS
R. Holt, Rene Wiedner
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引用次数: 3

Abstract

Drawing from Michel Foucault’s reading of Immanuel Kant’s essay “What is Enlightenment?,” and specifically his definition of ascesis, we associate maturity with a capacity for, and interest in, forming the self. On the basis of an empirical study of making vinyl records following the successful commercialization of digital media, we identify micro-disciplinary techniques of self-forming that emerge as enthusiasts steadily learn the craft of vinyl record manufacturing. It is, we argue, through technology, rather than against it, that organizational immaturity can be resisted. Craftwork involves testing and transforming, rather than just acquiring, traditional skills. Maturity involves an ongoing struggle of selectively and reflectively engaging with technologies via attempts to be the subject of one’s own subjection. The former contributes to the latter.
技术、成熟和工艺:在数字时代制作黑胶唱片
引用米歇尔·福柯对伊曼努尔·康德的文章《什么是启蒙?》,特别是他对苦行的定义,我们将成熟与形成自我的能力和兴趣联系在一起。在数字媒体成功商业化之后制作黑胶唱片的实证研究的基础上,我们确定了自成型的微学科技术,这些技术随着发烧友稳步学习黑胶唱片制作工艺而出现。我们认为,正是通过技术,而不是反对技术,我们才能抵制组织的不成熟。工艺包括测试和转化,而不仅仅是获取传统技能。成熟包括通过尝试成为自己的臣服主体而选择性地和反思地参与技术的持续斗争。前者有助于后者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
6.20
自引率
10.00%
发文量
38
期刊介绍: Business Ethics Quarterly (BEQ) is a peer-reviewed scholarly journal that publishes theoretical and empirical research relevant to the ethics of business. Since 1991 this multidisciplinary journal has published articles and reviews on a broad range of topics, including the internal ethics of business organizations, the role of business organizations in larger social, political and cultural frameworks, and the ethical quality of market-based societies and market-based relationships. It recognizes that contributions to the better understanding of business ethics can come from any quarter and therefore publishes scholarship rooted in the humanities, social sciences, and professional fields.
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