Models for Mozart’s Transitions: A Transatlantic Exchange

IF 1.6 1区艺术学 0 MUSIC

MUSIC THEORY SPECTRUM Pub Date : 2023-08-22 DOI:10.1093/mts/mtad012

N. Martin, Ulrich Kaiser

引用次数: 0

Abstract

This research note comprises two interlinked texts. The first is a short essay that, developing ideas from Ulrich Kaiser’s (2009) article on Mozart’s transitions, isolates and theorizes a particular transition pattern (the “Prinner transition”) and then illustrates with a series of analyses. The second is a response from Kaiser clarifying the difference between Gjerdingen’s Prinner and his own 4^−1^ (fa–ut) model. The immediate theoretical issues in play involve the relationship between schema theory, formal functions, and voice-leading reduction as well as differences between Anglo-American and Germanic understandings of schemata and models.

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莫扎特转型的模式：跨大西洋的交流

本研究说明包括两个相互关联的文本。第一篇是一篇短文，它借鉴了乌尔里希·凯泽（2009）关于莫扎特过渡的文章，分离并理论化了一种特定的过渡模式（“普里纳过渡”），然后用一系列分析进行了说明。第二个是Kaiser的回应，澄清了Gjerdingen的Prinner和他自己的4^−1^（fa–ut）模型之间的差异。当前的理论问题涉及图式理论、形式功能和语音引导还原之间的关系，以及英美和日耳曼对图式和模式的理解之间的差异。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

MUSIC THEORY SPECTRUM MUSIC-

CiteScore

2.30

自引率

20.00%

发文量

期刊介绍： A leading journal in the field and an official publication of the Society for Music Theory, Music Theory Spectrum features articles on a wide range of topics in music theory and analysis, including aesthetics, critical theory and hermeneutics, history of theory, post-tonal theory, linear analysis, rhythm, music cognition, and the analysis of popular musics. The journal welcomes interdisciplinary articles revealing intersections with topics in other fields such as ethnomusicology, mathematics, musicology, philosophy, psychology, and performance. For further information about Music Theory Spectrum, please visit the Society for Music Theory homepage.