Future past I am a coolie-al…and I reside as an invisible island inside the ocean: Tidalectics, transoceanic crossings, coolitude and a Tamil identity

Abstract

The politics of Tamil working-class identity in Malaysia continue to be articulated in subaltern terms, employing term such as ‘coolie’, which is elsewhere an archaic usage from colonial days. Yet the power of the coolie narrative appears salient, and the coolie odyssey is far from over. Drawing upon the author’s longitudinal work with a Tamil squatter settlement in the heart of the city of Kuala Lumpur in the Malay Archipelago, this paper moves from third to first and then second narrative to capture the broad range of ruptures and transformations of Tamil sensibilities, a ‘coolitude’ that grew a pattern of life which emerged from a journey that began on the sea. In this article, the author envisions the ‘black ocean’ as an invisible island; shaped by colonial and imperial histories, racial capitalism and ocean crossings. These transoceanic crossings carried the weight of Tamil histories, rooted in the seas as an invisible island—as both the rupture of an identity and a translation from western namings and discourses. What remains is the ‘island’, rooted in the seas as a colonial wound of history, a tidalectic between transoceanic migration, personhood and language. This community is more than just its resilience, its assertions of power, its affair with identity and belonging, and its response to deep social inequalities in its homeland. It is also a space of a poetics of resoluteness to recover an identity that is not fractured, not alienated from place and transoceanic crossings. This paper attempts a retelling of a hidden hyphen that held the labourer and the personhood apart, but also together. It navigates through the concept of tidalectics first postulated by Barbadian poet and historian Kamau Braithwaite (2003) in conjunction with Valentine Daniel’s (2008) The Coolie and Khal Torabully’s (1992) Coolitude. The paper seeks to understand more deeply the performativity of the hyphen as an invisible island inside the ocean.