The Development of National Cinema in Post-Maidan Ukraine

Abstract

Since the Euromaidan revolution, Ukrainian cinema has been experiencing a renaissance, associated with both the wave of civic and creative activity and the policy of the post-Maidan authorities supporting the film industry. The article analyzes the development of Ukrainian cinema from 2014 to 2019, focusing not only on organizational, institutional, and legal changes but also on the accompanying controversies. It addresses the main socio-political, economic, and cultural factors influencing progress in the number of films produced in Ukraine and their popularization on the domestic and foreign market. The article particularly emphasizes the context of Russian aggression toward Ukraine and the ongoing war in Donbas, as it influences not only the topics taken up by filmmakers but also the priorities of authorities in the field of cultural policy. Cinema has become one of the fronts of the conflict. Thus, the post-Maidan authorities’ concern was both to block Russian content deemed dangerous from the point of view of national security and to produce and promote “Ukrainian-centric” narratives. The last part of the article will discuss the new Ukrainian “patriotic cinema,” supported and subsidized by the state, with a focus on the role it plays in a society experiencing conflict.