L’influenza della Guerra fredda sull’architettura italiana. Due Maestri a confronto: Giancarlo De Carlo e Vittoriano Viganò

O. Longo
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Abstract

In 2019, during the centenary of De Carlo’s birth, Massimo Cacciari spoke about immaterial architecture as a possible new frontier of architectural research of our time. During the Cold War, new networks were created in Italy, beyond national borders, based on international dialogues and artistic collaborations. After the analysis of some phenomena that characterized the Cold War and the creative processes of architectural production in the twentieth century, this research describes some projects and writings of Giancarlo De Carlo and Vittoriano Viganò. The contribution outlines the influence of Cold War policies on the works of these Masters under the banner of two slogans: “Anarchist Architecture” and “Interrupted Sign”. According to these aspects, it is possible to emphasize the presence of a root of architectural design that tends to the formal disintegration of architecture.
冷战对意大利建筑的影响。相比之下,两位大师——吉安卡洛·德·卡洛和维多利亚诺·维加诺
2019年,在迪卡洛诞辰一百周年之际,马西莫·卡奇亚里谈到非物质建筑可能成为我们这个时代建筑研究的新前沿。冷战期间,在国际对话和艺术合作的基础上,意大利在国界之外建立了新的网络。在分析了冷战时期的一些现象和20世纪建筑创作过程之后,本研究描述了Giancarlo De Carlo和Vittoriano Viganå的一些项目和作品。这篇文章以“无政府主义建筑”和“中断的标志”两个口号概述了冷战政策对这些大师作品的影响。根据这些方面,可以强调建筑设计的根源的存在,这种根源倾向于建筑的形式解体。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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