Voices Lost with Femininity and Masculinity in The Beet Queen

IF 0.1 4区 文学 0 LANGUAGE & LINGUISTICS
Qianqian Chen, Joan Qionglin Tan
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引用次数: 0

Abstract

This article examines lost voices in Louise Erdrich’s novel The Beet Queen. Impacted by the white-male-elite values, white woman Sita Kozka and Native American man Russell Kashpaw, in their endeavor to forge ultimate femininity and masculinity, experience downward trajectory phases marked by loud voices, objectification, oppression, voice loss, and death. By comparing Sita’s death and Russell’s rebirth, it unfolds that the pursuit of femininity and masculinity, within the patriarchal and racial conceptual framework, results in voicelessness and disempowerment. It also contends that only by forging independent identity and preserving indigenous culture can women and Native American men make their voices heard.
《甜菜女王》中失去女性和男性气质的声音
这篇文章考察了路易斯·厄德里奇的小说《甜菜女王》中消失的声音。受白人男性精英价值观的影响,白人女性Sita Kozka和美国原住民男性Russell Kashpaw在努力塑造终极女性气质和男性气质的过程中,经历了以大声发声、物化、压迫、失声和死亡为标志的下行轨迹阶段。通过对比西塔的死亡和罗素的重生,揭示了在父权和种族观念框架下对女性气质和男性气质的追求,导致了话语权的丧失和权力的丧失。它还认为,只有通过建立独立的身份和保护土著文化,妇女和美洲土著男子才能发出自己的声音。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
7
期刊介绍: The journal’s main purpose is to demonstrate and celebrate the diversity of English and American Studies, providing a medium for its different branches, especially in the Central European academic context (but not restricted to it). Topics thus range from literary studies to linguistics, from theoretical to applied, from text-focused to culturally-oriented, from novel to film, from textual to contextual, from England to Australia and from the USA to South Africa.
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