‘What I shall miss’: European heritage in Tom Lanoye’s Fortress Europe (2005)

Abstract

Tom Lanoye’s ‘theatre novella’ Fort Europa: Hooglied van Versplintering (Fortress Europe: A Canticle of Fragmentation) (2005) features a range of characters who probe Europe’s possible future by turning to its past. The Eurocentric heritage narratives on which they draw perpetuate an idea of Europe as a civilization founded on Christianity and on the Enlightenment and racially defined as White. The way in which Lanoye stages these conservative narratives and the way in which he employs irony, however, invites critical reflection, thus calling for a postcolonial perspective on Europe and on European heritage. We approach Fortress Europe as a literary text that reflects on and intervenes in dominant heritage discourses. Through close reading, we investigate how this work stages and engages with European heritage and how it thereby explores specific ideas about European culture and identity. Our focus is on the literary means by which Lanoye reflects on the place of heritage in narratives of Europe.