‘Wanted – An Opera’

Abstract

The title of John Fuller Maitland's article ‘Wanted – An Opera’, in which he argued for the establishment in Britain of a state-supported national opera house, could almost be read as a statement of desire for an operatic work of British origin itself. The perception that composers produced little opera of value in the period of the so-called ‘British Music Renaissance’ has become a trope, despite research in recent years showing the extent of activity, both in terms of composition and performance, during the 20 years either side of 1900.