Uniform Ideals

IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Monica Sklar, C. Barrow, Paige Leone
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引用次数: 0

Abstract

This research documents the development of Motown Records’ clothing image, including how garments were selected, produced, worn, and cared for. The African American-owned record label did not overtly make political statements, and whether their visual presentation was a strategy to participate in or lead social-cultural conversations is undocumented; regardless, this impact happened through the perceptions the public had of their style. The uniforms of the performers were important to Motown’s impact and record sales. To create the Motown look, the label was faced with challenges such as establishing budgets for artists of varied success levels and choosing which fashion trends to follow, as well as appealing to demographically diverse audiences during the socially contentious era of the 1960s civil rights movement. This study used primary sources including interviews with musicians and stylists, museum clothing collections and exhibitions, and discussions with curators and collection managers, as well as a secondary review of literature.
统一的理想
本研究记录了摩城唱片公司服装形象的发展,包括服装是如何选择、制作、穿着和护理的。这家非裔美国人拥有的唱片公司并没有公开发表政治声明,他们的视觉呈现是否是一种参与或领导社会文化对话的策略,也没有记录;不管怎样,这种影响是通过公众对他们风格的认知而产生的。表演者的制服对摩城的影响力和唱片销量至关重要。为了打造摩城风格,该品牌面临着各种挑战,比如为不同成功程度的艺术家制定预算,选择追随哪种时尚潮流,以及在20世纪60年代民权运动的社会争议时期吸引不同人口结构的观众。本研究使用的第一手资料包括对音乐家和造型师的采访、博物馆服装收藏和展览、与策展人和收藏经理的讨论,以及对文献的二次回顾。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
28
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