MUSEUM OF LEMKO CULTURE AT ZYNDRANOWA

Q3 Arts and Humanities
R. Drozd
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引用次数: 0

Abstract

In 1947, as the result of the Vistula Operation,Lemkos were resettled to the Western and NorthernTerritories of Poland, this making them abandon their materialpossessions which remained at their former domicile proneto devastation. Certain Lemkos resented those developmentsto the extent that following 1956 some returned to theirnative land, determined to save their tangible and intangibleculture. Amateur artistic projects were revived, and itwas decided that traces of Lemko tangible heritage wereto be taken care of. This led to the concept of creating anethnographic Lemko museum. In 1968, using Teodor Goczsfarmstead at Zyndranowa, a memento hall was created; itlater assumed the name of the Museum of Lemko Culture.The institution continuously faced challenges: it lackedfinancing and factual supervision for its operation. Despitethis, the Museum collection continued growing, and newbuildings were safeguarded for the purpose. The Museumscreators aimed not only at preserving and displaying tracesof Lemko tangible heritage, but also at maintaining bonds ofthe displaced Lemkos with their former homeland. Withtime, the Museum also began playing an important role inpreserving the Lemko ethnic identity.
钦德拉诺瓦的伦科文化博物馆
1947年,作为维斯瓦行动的结果,莱姆科人被重新安置到波兰西部和北部领土,这使得他们放弃了他们留在以前住所的物质财产,这些财产很容易遭到破坏。某些lemko人对这些发展感到不满,以至于1956年之后,一些人回到了他们的祖国,决心拯救他们的有形和无形文化。业余艺术项目得以复兴,人们决定保护莱姆科有形遗产的痕迹。这就产生了创建Lemko博物馆的想法。1968年,在Zyndranowa的Teodor Goczsfarmstead上,创建了一个纪念大厅;它后来被命名为莱姆科文化博物馆。该机构不断面临挑战:缺乏资金和对其运作的事实监督。尽管如此,博物馆的藏品仍在继续增长,新建筑也因此得到了保护。博物馆的创建者不仅旨在保存和展示莱姆科有形遗产的痕迹,而且还旨在保持流离失所的莱姆科人与他们以前的家园的联系。随着时间的推移,博物馆也开始在保护莱姆科民族身份方面发挥重要作用。
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来源期刊
Muzealnictwo
Muzealnictwo Arts and Humanities-Museology
CiteScore
0.30
自引率
0.00%
发文量
24
审稿时长
8 weeks
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