A Visual History of a Sacrifice: Cristero Photography and the José de León Toral Commemorative Album

IF 0.3 4区 社会学 Q4 CULTURAL STUDIES
David Fajardo Tapia
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引用次数: 0

Abstract

This paper sets out to examine the interpretative differenda arising over photographs promoted by the Mexican government and those distributed by the rebels after the conflict known as the Guerra cristera [Cristero War] (1926–1929). While Federal photography was characterised by its dissemination of punitive acts, the Cristeros (as the anti-government Catholic rebels were known) lent their photographs an emotive aura out of a desire to imbue them with a devotional meaning. This analysis focuses accordingly on a photograph album dedicated to José de León Toral, who assassinated General Álvaro Obregón in July 1928. The album reframes the figure of José de León Toral to establish images of a model life by emphasising the supposed sacrifice implied in the Potosino assassin’s execution by firing squad. Through its emphasis on emotivity, the album sets up an interpretation of José de León Toral as a kind of sacred figure.
牺牲的视觉历史:克里斯特罗摄影和León托拉尔纪念画册
本文旨在考察墨西哥政府宣传的照片和在被称为“基督战争”(Guerra cristera, 1926-1929)的冲突后叛军分发的照片在解释上的差异。虽然联邦摄影的特点是传播惩罚行为,但Cristeros(被称为反政府天主教叛军)给他们的照片赋予了一种情感的光环,因为他们希望给照片注入一种虔诚的意义。因此,本文的分析重点是一本献给1928年7月暗杀Álvaro Obregón将军的约瑟夫·德·León·托拉尔的相册。这张专辑重新塑造了jos de León托拉尔的形象,通过强调波托西诺刺客被行刑队处决时所隐含的所谓牺牲,建立了一种模范生活的形象。通过强调情感,这张专辑将jos de León托拉尔作为一种神圣的人物来诠释。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.50
自引率
0.00%
发文量
25
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