Portrait Image in Pushkin's Prose of the Thirties in the 19th Century

Q1 Arts and Humanities

Media Watch Pub Date : 2020-12-01 DOI:10.15655/mw/2020/v11i4/204630

L. Krylova, Aray Kanapiyanovna Zhundibayeva, Z. Kadyrov, Zhanar Serkeshovna Talaspaуeva, G. Fatkiyeva, Yelena Viktorovna Sabiyeva

引用次数: 8

Abstract

The article explores the specifics of Pushkin’s portrait as a media image based on The Shot, The Queen of Spades, and The Captain’s Daughter stories. The external portrait of his characters is concise and consists of several expressive details. The author delegates it to other characters. At first glance, the portrait is created according to romantic patterns: an unusual name, an intriguing appearance, a mysterious past, strange habits. Meanwhile, all the images are realistic. The writer creates an intriguing portrait – a false external portrait of a character hiding the image’s idea. The author reveals the essence of the character through its “internal portrait,” which can be seen on the ontological level, comprehending the genesis of its name and the life secret, the character’s real world and personal space, the character’s place in the plot of the work and the situation of choice. Pushkin’s prose is like a detective film, where the image of the character will still have to be unraveled by the reader.

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普希金19世纪30年代散文中的肖像意象

这篇文章探讨了普希金的肖像作为一个媒体形象的细节，基于《镜头》、《黑桃皇后》和《上尉的女儿》的故事。他笔下人物的外部画像简洁明了，由几个富有表现力的细节组成。作者将其委托给其他角色。乍一看，这幅肖像是根据浪漫的图案创作的：一个不同寻常的名字，一个有趣的外表，一个神秘的过去，奇怪的习惯。同时，所有的图像都是真实的。作者创作了一幅有趣的肖像画——一幅隐藏图像想法的人物的虚假外部肖像。作者通过其“内在画像”揭示了人物的本质，这可以从本体论的层面上看到，理解了人物名字的起源和生活秘密，人物的真实世界和个人空间，人物在作品情节中的位置和选择的情境。普希金的散文就像一部侦探电影，在那里，角色的形象仍然需要被读者解开。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Media Watch Arts and Humanities-Literature and Literary Theory

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